Wednesday, December 8, 2010

Women of Westport

The final performance of the 2010 season was September 19th. Many people ask us what we do during the rest of the year here at the Depot Theatre.

This is what the cat does:

Mo catches up on Zs. She wants her $2.
But we also get up to other things like playreadings and shows in the gallery. We read the play WITTENBURG to a about 2-dozen stalwart theatre-goers the Sunday after Thanksgiving, and this past weekend, we had the reception for the "Women of Westport" show, which is becoming a holiday tradition at the Depot.

Cynthia Schira, Dee Carroll, and Bill Johnston enjoy the reception.
Featuring the works of (in no particular order) Dee Carroll, Kathryn Cramer, Carolyn Vanderhoof, Meredith Johnston, Stephanie Ames, Cynthia Schira, Elena Borstein, Cheryl Raywood, Huberta Conway, Alison Weld, Elizabeth Hartwell, Maurya Teale and Linda Smyth, the show has been a local crowd-pleaser, as well as a great place to find unique hand-crafted gifts for the holiday season.

In addition to amazing photos and paintings, there are textile works, hand-painted ornaments, pottery and jewelry. Make a stop at the Depot Gallery part of your car-free low-budget trip to the Adirondacks - and come home with great gifts for your friends and family!

Wednesday, November 17, 2010

The Blue Galactic Diva Ascendant in the House of Mouse

Over Halloween, Artistic Director Shami McCormick traveled to Florida to join in some theatre classes at Rollins College. She recounts her activities and insights below. Managing Director Chris Casquilho wrote the awesome title for this post - you must read on to find out what it all means! -ed.

I just returned from a week away from the final throes of an Adirondack fall.  For the last seven days I have been in the land of the Great Mouse—Orlando, Florida.  I was there to spend a week at Rollins College where my sister and brother-in-law are faculty.  Jenny is the Department Chair of the Theatre and Dance Department and it is always interesting to be a fly on her wall!

Rollins is a small liberal arts college with a mighty Theatre department.  I participated in two courses: Theatre History (can you define Neo Classicism or explain why “Le Cid” was so controversial?) and a new course team taught between the Theatre and Physics departments (the week’s topic was the physicist Robert Feynman, portrayed by Matthew Broderick and Alan Alda in film and theatre respectively).

Being back in a classroom was both enlightening and invigorating.  Taking in-depth analytical looks at plays within the context of culture and history made me reexamine some of the choices I make as an Artistic Director.  When I look at creating a season there are several factors that come into play. Though I start with the merits of the text itself, I often find it difficult to do so without also thinking about our theatre’s size, resources, Board reaction, audience reaction, budget, casting and how many beds will be needed to house the actors! Going back into a seminar setting helped me focus my thoughts more securely on the theatrical literature at hand and think more critically about “why this play, at this time in this style”.

Indeed, the trip couldn’t have come at a better time as we are in the process of determining the Depot Theatre’s 2011 season which will be finalized this month.  The Depot’s Program Committee and I have been reading and discussing plays for several weeks as well as having conversations with Directors, artists and audience members.  One of the things we have looked at is how the Depot Theatre can best contribute to the theatrical field and serve the North Country.  As a professional company, our first obligation is to producing quality work and therefore we hire the best artists and staff to work on each project.  Our professional status also makes the Depot Theatre an attractive venue for playwrights and composers to debut new work.  Our winter play reading series has often focused on new work but producing new plays and musicals has not been a core part of our mission.   We hope to change that in 2011 and include new artistic voices alongside more recognizable ones so that you can see tomorrow’s classics in the making.

The experience at Rollins also suggested that the Depot Theatre provide more information to our audience about each play we produce.  “Why this play, at this time in this style?”  In 2011 you will find more information coming to you in emails from the Depot, in the playbill and in discussions with the Directors and artists associated with each show.

My trip to Florida also included a lecture by James Olmos (“Stand and Deliver”, “Battlestar Galactica” and the forthcoming “Green Lantern” amongst others).  It was a provocative and spirited discussion about cultural identification and the concept of America as a “melting pot” brought to life by Mr. Olmos’ insights as a Latino growing up in Los Angeles, his experiences as a baseball phenom, a musician, an actor and an activist.   Inspiring!

Other theatre related activities included talking to potential interns from the Theatre department (would you like to be a host family for a bright, energetic, user-friendly student for a few weeks this summer?)  I also got to see Stacy Norwood, one of our Equity Stage Managers who works at Universal Studios and at Orlando Shakespeare Theatre in Orlando during the winter.

I also made a visit to Sanibel (now relieved of many of its shells by yours truly) and was a [blue] alien galactic diva to my nephew’s astronaut for Halloween.  Several tropical smoothies later, I am back in the Adirondacks, but only for 24 hours.  I am off to New Hampshire and Northern Stage in White River Junction, VT to see a production of “The 39 Steps”!

Monday, September 6, 2010

1/2 Speed Fight Rehearsal

When fights are staged, they are staged step-by-step - also called "fight choreography." With the assistance of Wadhams, NY resident and head coach of the Champlain Valley Fencing Club, Paul Rossi, a series of small fights have been staged for GOODNIGHT DESDEMONA, GOOD MORNING JULIET. After the fights are choreographed, they are rehearsed, and then warmed-up before each performance. The "Fight Captain" is responsible for the accuracy and safety of the fights.

The fights are taken at 1/2 speed, then 3/4 speed, then full speed - for safety reasons.

Below, actor Marshall York (in blue) and actor/fight captain Patrick Toon rehearse a fight from GOODNIGHT DESDEMONA, GOOD MORNING JULIET at 1/2 speed. Most of the fights in this play are fairly comic and brief. Caroline Treadwell appears far right.



GOODNIGHT DESDEMONA, GOOD MORNING JULIET plays at the Depot Theatre in Westport, NY from September 10-19. Order tickets here.

Friday, September 3, 2010

Didn't there used to be six actors in this play?

Patrick Toon looks on as Sarah Hankins prepares her prop for deployment in rehearsal for GOODNIGHT DESDEMONA, GOOD MORNING JULIET which opens Friday, September 10 at the Depot Theatre.

Patrick clearly reflects on his approach while he tries to recollect whether there was a sixth member of the cast that has gone missing, or whether Sarah's prop is simply head and shoulders above the rest.

Thursday, August 26, 2010

Playwright Michael Healey talks about THE DRAWER BOY

This great video features playwright Michael Healey describing some of his thoughts reflections and the background of THE DRAWER BOY - playing at the Depot Theatre August 27 - September 5, 2010. Depot production features John Christopher Jones, David Murray Jaffe, and Adam Petherbridge. Directed by Chris Clavelli.

Wednesday, August 25, 2010

Jean is distressing

Costumer Jean Brookman is wearing out a belt so our farmers in THE DRAWER BOY look like they've been out in the field for years. Similarly, Jean has been out to pasture for some time.

Friday, August 20, 2010

Jack not name, jack job!

The back of the bleachers in Spelling Bee are held up by two wagon brakes (as they're called in theatre lingo). New - they look like this:
The heavy duty ones are rated for a load of 800lbs each. After 12 performances of Spelling Bee, one of the brakes on the back of the bleachers did this during the first act:
The pit crew - consisting of Stage Manager Adam Petherbridge and Assistant Stage Manager Simon Quayle tackled it during the intermission, unbolted the bent brake and replaced it before act two started.

Entertainment: go live, or go home!